FIRES - BOOK I




This eBook is for the use of anyone anywhere at no cost and with almost
no restrictions whatsoever. You may copy it, give it away or re-use it
under the terms of the Project Gutenberg License included with this
eBook or online at http://www.gutenberg.org/license.



Title: Fires - Book I
       The Stone, and Other Tales
Author: Wilfrid Wilson Gibson
Release Date: May 09, 2013 [EBook #42677]
Language: English
Character set encoding: UTF-8


*** START OF THIS PROJECT GUTENBERG EBOOK FIRES - BOOK I ***




Produced by Al Haines.


                                 FIRES

                                 BOOK I
                       THE STONE, AND OTHER TALES


                                   BY

                         WILFRID WILSON GIBSON



                                 LONDON
                       ELKIN MATHEWS, VIGO STREET
                                M CM XII




                          _BY THE SAME WRITER_
                           DAILY BREAD (1910)
                            WOMENKIND (1912)




                                   TO
                             GEORGE CLAUSEN
                               A TRIBUTE




_Snug in my easy chair,_
_I stirred the fire to flame._
_Fantastically fair,_
_The flickering fancies came._
_Born of hearts desire:_
_Amber woodland streaming;_
_Topaz islands dreaming;_
_Sunset-cities gleaming,_
_Spire on burning spire;_
_Ruddy-windowed taverns;_
_Sunshine-spilling wines;_
_Crystal-lighted caverns_
_Of Golconda’s mines;_
_Summers, unreturning;_
_Passion’s crater yearning;_
_Troy, the ever-burning;_
_Shelley’s lustral pyre;_
_Dragon-eyes, unsleeping;_
_Witches’ cauldrons leaping;_
_Golden galleys sweeping_
_Out from sea-walled Tyre:_
_Fancies, fugitive and fair,_
_Flashed with singing through the air;_
_Till, dazzled by the drowsy glare,_
_I shut my eyes to heat and light;_
_And saw, in sudden night,_
_Crouched in the dripping dark,_
_With steaming shoulders stark,_
_The man who hews the coal to feed my fire._




                                CONTENTS

The Stone
The Wife
The Machine
The Lodestar
The Shop
Flannan Isle
The Brothers
The Blind Rower
The Flute




_Thanks are due to the editors of_ THE ENGLISH REVIEW, THE POETRY REVIEW
_and_ THE SPECTATOR _for leave to reprint some of these tales_.




                                 FIRES



                               THE STONE

    "And will you cut a stone for him,
    To set above his head?
    And will you cut a stone for him--
    A stone for him?" she said.

    Three days before, a splintered rock
    Had struck her lover dead--
    Had struck him in the quarry dead,
    Where, careless of the warning call,
    He loitered, while the shot was fired--
    A lively stripling, brave and tall,
    And sure of all his heart desired...
    A flash, a shock,
    A rumbling fall...
    And, broken ’neath the broken rock,
    A lifeless heap, with face of clay,
    And still as any stone he lay,
    With eyes that saw the end of all.

    I went to break the news to her:
    And I could hear my own heart beat
    With dread of what my lips might say
    But, some poor fool had sped before;
    And, flinging wide her father’s door,
    Had blurted out the news to her,
    Had struck her lover dead for her,
    Had struck the girl’s heart dead in her,
    Had struck life, lifeless, at a word,
    And dropped it at her feet:
    Then hurried on his witless way,
    Scarce knowing she had heard.

    And when I came, she stood, alone
    A woman, turned to stone:
    And, though no word at all she said,
    I knew that all was known.

    Because her heart was dead,
    She did not sigh nor moan,
    His mother wept:
    She could not weep.
    Her lover slept:
    She could not sleep.
    Three days, three nights,
    She did not stir:
    Three days, three nights,
    Were one to her,
    Who never closed her eyes
    From sunset to sunrise,
    From dawn to evenfall:
    Her tearless, staring eyes,
    That, seeing naught, saw all.

    The fourth night when I came from work,
    I found her at my door.
    "And will you cut a stone for him?"

    She said: and spoke no more:
    But followed me, as I went in,
    And sank upon a chair;
    And fixed her grey eyes on my face,
    With still, unseeing stare.
    And, as she waited patiently,
    I could not bear to feel
    Those still, grey eyes that followed me,
    Those eyes that plucked the heart from me,
    Those eyes that sucked the breath from me
    And curdled the warm blood in me,
    Those eyes that cut me to the bone,
    And pierced my marrow like cold steel.

    And so I rose, and sought a stone;
    And cut it, smooth and square:
    And, as I worked, she sat and watched,
    Beside me, in her chair.
    Night after night, by candlelight,
    I cut her lover’s name:
    Night after night, so still and white,
    And like a ghost she came;
    And sat beside me, in her chair;
    And watched with eyes aflame.

    She eyed each stroke;
    And hardly stirred:
    She never spoke
    A single word:
    And not a sound or murmur broke
    The quiet, save the mallet-stroke.

    With still eyes ever on my hands,
    With eyes that seemed to burn my hands,
    My wincing, overwearied hands,
    She watched, with bloodless lips apart,
    And silent, indrawn breath:
    And every stroke my chisel cut,
    Death cut still deeper in her heart:
    The two of us were chiselling,
    Together, I and death.

    And when at length the job was done,
    And I had laid the mallet by,
    As if, at last, her peace were won,
    She breathed his name; and, with a sigh,
    Passed slowly through the open door:
    And never crossed my threshold more.

    Next night I laboured late, alone,
    To cut her name upon the stone.




                                THE WIFE

    That night, she dreamt that he had died,
    As they were sleeping, side by side:
    And she awakened in affright,
    To think of him, so cold and white:
    And, when she turned her eyes to him,
    The tears of dream had made them dim;
    And, for a while, she could not see
    That he was sleeping quietly.
    But, as she saw him lying there,
    The moonlight on his curly hair,
    With happy face and even breath,
    Although she thought no more of death;
    And it was very good to rest
    Her trembling hand on his calm breast,
    And feel the warm and breathing life;
    And know that she was still his wife;
    Yet, in his bosom’s easy stir,
    She felt a something trouble her;
    And wept again, she knew not why;
    And thought it would be good to die--
    To sink into the deep, sweet rest,
    Her hand upon his quiet breast.

    She slept: and when she woke again,
    A bird was at the window-pane,
    A wild-eyed bird, with wings of white
    That fluttered in the cold moonlight,
    As though for very fear of night;
    And flapped the pane, as if afraid:
    Yet, not a sound the white wings made.
    Her eyes met those beseeching eyes;
    And then she felt she needs must rise,
    To let the poor, wild creature in
    To find the rest it sought to win.
    She rose; and set the casement wide;
    And caught the murmur of the tide;
    And saw, afar, the mounded graves
    About the church beside the waves:
    The huddled headstones gleaming white
    And ghostly in the cold moonlight.

    The bird flew straightway to the bed;
    And hovered o’er the husband’s head,
    And circled thrice above his head,
    Three times above his dreaming head:
    And, as she watched it, flying round
    She wondered that it made no sound;
    And, while she wondered, it was gone:
    And cold and white, the moonlight shone
    Upon her husband, sleeping there;
    And turned to silver his gold hair;
    And paled like death his ruddy face.
    Then, creeping back into her place,
    She lay beside him in the bed:
    But, if she closed her eyes, with dread
    She saw that wild bird’s eyes that burned
    Through her shut eyelids, though she turned
    Her blessings over in her heart,
    That peace might come: and with a start,
    If she but drowsed, or dreamt of rest,
    She felt that wild beak in her breast.
    So, wearying for the time to rise,
    She watched, till dawn was in the skies.

    Her husband woke: but not a word
    She told him of the strange, white bird:
    But, as at breakfast-time, she took
    The pan of porridge from the crook;
    And all was ready to begin;
    A neighbour gossip hurried in;
    And told the news, that Phoebe Wright
    Had died in childbirth in the night.
    The husband neither spoke, nor stirred,
    But sat as one who, having heard,
    May never hearken to a word
    From any living lips again;
    And, heedless of the tongues of men,
    Hears, in a silence, dread and deep,
    The dead folk talking in their sleep.
    His porridge stood till it was cold:
    And as he sat, his face grew old;
    And all his yellow hair turned white,
    As it had looked to her last night,
    When it was drenched with cold moonlight.
    And she knew all: yet never said
    A word to him about the dead;
    Or pestered him to take his meat:
    But, sitting silent in her seat,
    She left him quiet with his heart
    To thoughts in which she had no part;
    Until he rose to go about
    His daily work; and staggered out.
    And all that day, her eyes were dim
    That she had borne no child to him.

    Days passed: and then, one evening late,
    As she came by the churchyard-gate,
    She saw him, near the new-made grave:
    And, with a lifted head and brave,
    She hurried home, lest he should know
    That she had looked upon his woe.
    And when they sat beside the fire,
    Although it seemed he could not tire
    Of gazing on the glowing coal,
    And though a fire was in her soul;
    She sat beside him with a smile,
    Lest he should look on her, the while,
    And wonder what could make her sad
    When all the world but him was glad.
    But, not a word to her he said:
    And silently they went to bed.

    She never closed her eyes that night:
    And she was stirring, ere the light;
    And while her husband lay at rest,
    She left his side, and quickly dressed;
    And stole downstairs, as though in fear
    That he should chance to wake, and hear.
    And still the stars were burning bright,
    As she passed out into the night;
    And all the dewy air was sweet
    With flowers that grew about her feet,
    Where he, for her, when they were wed,
    Had digged and sown a wallflower-bed:
    And on the rich, deep, mellow scent
    A gust of memories came and went,
    As, dreaming of those old glad hours,
    She stooped to pluck a bunch of flowers,
    To lay upon the flowerless grave
    That held his heart beside the wave.
    Though, like a troop of ghosts in white,
    The headstones watched in cold starlight,
    As, by the dead girl’s grave she knelt,
    No fear in her full heart she felt:
    But hurried home, when she had laid
    Her offering on the turf, afraid
    That he should wake, and find her gone:
    And still the stars in heaven shone,
    When into bed again she crept,
    And lay beside him, while he slept
    And when day came, upon his hair,
    The warm light fell: and young and fair,
    He looked again to her kind eyes
    That watched him till ’twas time to rise.

    And, every day, as he went by
    The churchyard-gate with downcast eye,
    He saw fresh blooms upon the grave
    That held his heart beside the wave:
    And, wondering, he was glad to find
    That any living soul was kind
    To that dead girl who died the death
    Of shame for his sake: and the breath
    Of those fresh flowers to him was sweet,
    As he trudged home with laggard feet,
    Still wondering who could be her friend.

    He never knew, until the end,
    When, in the churchyard by the wave,
    He stood beside another grave:
    And, as the priest’s last words were said,
    He turned, and lifting up his head,
    He saw the bunch of flowers was dead
    Upon the dead girl’s grave; and felt
    The truth shoot through his heart, and melt
    The frost of icy bitterness,
    And flood his heart with warm distress:
    And, kneeling by his dead wife’s grave,
    To her, at last, her hour he gave.

    That night, she dreamt he, too, had died,
    And they were sleeping, side by side.




                              THE MACHINE

    Since Thursday he’d been working overtime,
    With only three short hours for food and sleep,
    When no sleep came, because of the dull beat
    Of his fagged brain; and he could scarcely eat.
    And now, on Saturday, when he was free,
    And all his fellows hurried home to tea,
    He was so dazed that he could hardly keep
    His hands from going through the pantomime
    Of keeping-even sheets in his machine--
    The sleek machine that, day and night,
    Fed with paper, virgin white,
    Through those glaring, flaring hours
    In the incandescent light,
    Printed children’s picture-books--
    Red and yellow, blue and green,
    With sunny fields and running brooks,
    Ships at sea, and golden sands,
    Queer white towns in Eastern lands,
    Tossing palms on coral strands--
    Until at times the clank and whirr and click,
    And shimmer of white paper turned him sick;
    And though at first the colours made him glad,
    They soon were dancing in his brain like mad;
    And kept on flaring through his burning head:
    Now, in a flash, the workshop, flaming red;
    Now blazing green; now staring blue;
    And then the yellow glow too well he knew:
    Until the sleek machine, with roar and glare,
    Began to take him in a dazzling snare;
    When, fascinated, with a senseless stare,
    It drew him slowly towards it, till his hair
    Was caught betwixt the rollers; but his hand,
    Almost before his brain could understand,
    Had clutched the lever; and the wheels were stopped
    Just in the nick of time; though now he dropped,
    Half-senseless on the littered workshop floor:
    And he’d lain dazed a minute there or more,
    When his machine-girl helped him to a seat.
    But soon again he was upon his feet,
    And tending that unsatisfied machine;
    And printing pictures, red and blue and green,
    Until again the green and blue and red
    Went jigging in a riot through his head;
    And, wildest of the raging rout,
    The blinding, screeching, racking yellow--
    A crazy devil of a fellow--
    O’er all the others seemed to shout.
    For hands must not be idle when the year
    Is getting through, and Christmas drawing near,
    With piles on piles of picture-books to print
    For people who spend money without stint:
    And, while they’re paying down their liberal gold,
    Guess little what is bought, and what is sold.

    But he, at last, was free till Monday, free
    To sleep, to eat, to dream, to sulk, to walk,
    To laugh, to sing, to whistle, or to talk ...
    If only, through his brain, unceasingly,
    The wheels would not keep whirring, while the smell--
    The oily smell of thick and sticky glaze
    Clung to his nostrils, till ’twas hard to tell
    If he were really out in the fresh air;
    And still before his eyes, the blind, white glare,
    And then the colours dancing in his head,
    A maddening maze of yellow, blue and red.
    So, on he wandered in a kind of daze,
    Too racked with sleeplessness to think of bed
    Save as a hell, where you must toss and toss,
    With colours shooting in insane criss-cross
    Before wide, prickling, gritty, sleepless eyes.

    But, as he walked along the darkening street,
    Too tired to rest, and far too spent to eat,
    The swish and patter of the passing feet,
    The living, human murmur, and keen cries,
    The deep, cool shadows of the coming night,
    About quick-kindling jets of clustered light;
    And the fresh breathing of the rain-washed air,
    Brought something of sweet healing to his mind;
    And, though he trailed along as if half-blind,
    Yet often on the pavement he would stop
    To gaze at goods displayed within a shop;
    And wonder, in a dull and lifeless way,
    What they had cost, and who’d the price to pay.
    But those two kinds of shop which, as a boy,
    Had been to him a never-failing joy,
    The bookshop and the fruitshop, he passed by,
    As if their colours seared his wincing eye;
    For still he feared the yellow, blue and red
    Would start that devils’ dancing in his head.
    And soon, through throngs of people, almost gay
    To be let loose from work, he pushed his way;
    And ripples of their careless laughter stole
    Like waves of cooling waters through his soul,
    While sometimes he would lift his aching eyes,
    And see a child’s face, flushed with proud surprise,
    As, gripping both its parents’ hands quite tight,
    It found itself in fairylands of light,
    Walking with grown-up people through the night:
    Then, turning, with a shudder he would see
    Poor painted faces, leering frightfully,
    And so drop back from heaven again to hell.

    And then, somehow, though how he scarce could tell,
    He found that he was walking through the throng,
    Quite happy, with a young girl at his side--
    A young girl apple-cheeked and eager-eyed;
    And her frank, friendly chatter seemed a song
    To him, who ne’er till now had heard life sing.
    And youth within him kindled quick and strong,
    As he drank in that careless chattering.
    And now she told to him how she had come
    From some far Northern Isle to earn her bread;
    And in a stuffy office all day long,
    In shiny ledgers, with a splitting head,
    She added dazzling figures till they danced,
    And tied themselves in wriggling knots, and pranced,
    And scrambled helter-skelter o’er the page:
    And, though it seemed already quite an age
    Since she had left her home, from end to end
    Of this big town she had not any friend:
    At times she almost dreaded she’d go dumb,
    With not a soul to speak to; for, at home
    In her own Island, she knew everyone...
    No strangers there! save when the tinkers came,
    With pots and pans aglinting in the sun--
    You saw the tin far off, like glancing flame,
    As all about the Island they would roam....
    Then, of themselves at home, there were six brothers,
    Five sisters, with herself, besides the others--
    Two homeless babes, whom, having lost their mothers,
    Her mother’d taken in among her own...
    And she in all her life had hardly known
    Her mother with no baby at her breast...
    She’d always sing to hush them all to sleep;
    And sang, too, for the dancing, sang to keep
    The feet in time and tune; and still sang best,
    Clean best of all the singers of the Isle.
    And as she talked of home, he saw her smile,
    With happy, far-off gaze; and then as though
    In wonder how she’d come to chatter so
    To this pale, grave-eyed boy, she paused, half shy;
    And then she laughed, with laughter clear and true;
    And looked into his eyes; and he laughed too,
    And they were happy, hardly knowing why.

    And now he told her of his life, and how
    He too had been nigh friendless, until now.
    And soon he talked to her about his work;
    But, when he spoke of it, as with a jerk,
    The light dropped from his eyes.  He seemed to slip
    Once more in the machine’s relentless grip;
    And hear again the clank and whirr and click;
    And see the dancing colours and the glare;
    Until his dizzy brain again turned sick:
    And seeing him look round with vacant air,
    Fierce pity cut her to the very quick;
    And as her eyes with keen distress were filled,
    She touched his hand; and soon her kind touch stilled
    The agony: and so, to bring him ease,
    She told more of that Isle in Northern seas,
    Where she was born, and of the folks at home:
    And how, all night, you heard the wash of foam...
    Sometimes, on stormy nights, against the pane
    The sousing spray would rattle just like rain;
    And oft the high-tides scoured the threshold clean...

    And, as she talked, he saw the sea-light glint
    In her dark eyes: and then the sleek machine
    Lost hold on him at last; and ceased to print:
    And in his eyes there sprang a kindred light,
    As, hand in hand, they wandered through the night.




                              THE LODESTAR

    From hag to hag, o’er miles of quaking moss,
    Benighted, in an unknown countryside,
    Among gaunt hills, the stars my only guide;
    Bewildered by peat-waters, black and deep,
    Wherein the mocking stars swam; spent for sleep;
    O’er-wearied by long trudging; at a loss
    Which way to turn for shelter from the night;
    I struggled on, until, my head grown light
    From utter weariness, I almost sank
    To rest among the tussocks, soft and dank,
    Drowsing, half-dazed, and murmuring: it were best
    To stray no further: but, to lie at rest,
    Beneath the cold, white stars, for evermore:
    When, suddenly, I came across
    A runnel oozing from the moss;
    And knew that, if I followed where it led,
    ’Twould bring me to a valley, in the end,
    Where there’d be houses, and, perhaps, a bed.

    And so, the little runnel was my friend;
    And as I walked beside its path, at first
    It kept a friendly silence; then it burst
    Into a friendly singing, as it rambled,
    Among big boulders, down a craggy steep,
    ’Mid bracken, nigh breast-deep,
    Through which I scrambled,
    Half-blind and numb for sleep,
    Until it seemed that I could strive no more:
    When, startled by a startled sheep,
    Looking down, I saw a track--
    A stony trackway, dimly white,
    Disappearing in the night,
    Across a waste of heather, burnt and black.
    And so, I took it, mumbling o’er and o’er,
    In witlessness of weariness,
    And featherheaded foolishness:
    A track must lead, at sometime, to a door.

    And, trudging to this senseless tune,
    That kept on drumming in my head,
    I followed where the pathway led;
    But, all too soon,
    It left the ling, and nigh was lost
    Among the bent that glimmered grey
    About my sore-bewildered way:
    But when, at length, it crossed
    A brawling burn, I saw, afar,
    A cottage window light--
    A star, but no cold, heavenly star--
    A warm red star of welcome in the night.

    Far off, it burned upon the black hillside,
    Sole star of earth in all that waste so wide:
    A little human lantern in the night,
    Yet, more to me than all the bright
    Unfriendly stars of heaven, so cold and white.

    And, as it dimly shone,
    Though towards it I could only go
    With stumbling step and slow,
    It quickened in my heart a kindred glow;
    And seemed to draw me on
    That last rough mile or so,
    Now seen, now hidden, when the track
    Dipped down into a slack,
    And all the earth again was black:
    And from the unseen fern,
    Grey ghost of all bewildered things,
    An owl brushed by me on unrustling wings,
    And gave me quite a turn,
    And sent a shiver through my hair.

    Then, again, more fair
    Flashed the friendly light,
    Beckoning through the night,
    A golden, glowing square,
    Growing big and clearer,
    As I drew slowly nearer,
    With eager, stumbling feet;
    And snuffed the homely reek of peat:
    And saw, above me, lone and high,
    A cottage, dark against the sky--
    A candle shining on the window-sill.

    With thankful heart, I climbed the hill;
    And stood, at last, before
    The dark and unknown door,
    Wondering if food and shelter lay behind,
    And what the welcome I should find,
    Whether kindly, or unkind:
    But I had scarcely knocked, to learn my fate,
    When the latch lifted, and the door swung wide
    On creaking hinges; and I saw, inside,
    A frail old woman, very worn and white,
    Her body all atremble in the light,
    Who gazed with strange, still eyes into the night,
    As though she did not see me, but looked straight
    Beyond me, to some unforgotten past:
    And I was startled when she said at last,
    With strange, still voice: "You’re welcome, though you’re late."

    And then, an old man, nodding in a chair,
    Beside the fire, awoke with sleepy stare;
    And rose in haste; and led her to a seat,
    Beside the cosy hearth of glowing peat;
    And muttered to me, as he took her hand:
    "It’s queer, it’s queer, that she, to-night, should stand,
    Who has not stood alone for fifteen year.
    Though I heard nothing, she was quick to hear.
    I must have dozed; but she has been awake,
    And listening for your footstep since daybreak:
    For she was certain you would come to-day;
    Aye, she was sure, for all that I could say:
    Talk as I might, she would not go to bed,
    Till you should come.  Your supper has been spread
    This long while: you’ll be ready for your meat."
    With that he beckoned me to take a seat
    Before the table, lifting from the crook
    The singing kettle; while, with far-off look,
    As though she neither saw nor heard,
    His wife sat gazing at the glowing peat.

    So, wondering sorely, I sat down to eat;
    And yet she neither spoke, nor stirred;
    But in her high-backed chair sat bolt-upright,
    With still grey eyes; and tumbled hair, as white
    As fairy-cotton, straggling o’er her brow,
    And hung in wisps about her wasted cheek.
    But, when I’d finished, and drew near the fire,
    She suddenly turned round to speak,
    Her old eyes kindling with a tense desire.
    Her words came tremblingly: "You’ll tell me now
    What news you bring of him, my son?"  Amazed,
    I met that searching and love-famished look:
    And then the old man, seeing I was dazed,
    Made shift to swing aside the kettle crook;
    And muttered in my ear:
    "John Netherton, his name:" and as I gazed
    Into the peat that broke in clear blue flame,
    Remembrance flashed upon me with the name;
    And I slipped back in memory twenty year--
    Back to the fo’c’sle of a villainous boat;
    And once again in that hot hell I lay,
    Watching the smoky lantern duck and sway,
    As though in steamy stench it kept afloat...
    The fiery fangs of fever at my throat;
    And my poor broken arm, ill-set,
    A bar of white-hot iron at my side:
    And, as I lay, with staring eyes pricked wide,
    Throughout eternities of agony,
    I saw a big, black shadow stoop o’er me;
    And felt a cool hand touch my brow, and wet
    My cracking lips: and sank in healing sleep:
    And when I rose from that unfathomed deep,
    I saw the youngest of that rascal crew
    Beside my bunk; and heard his name; and knew
    ’Twas he who’d brought me ease: but, soon, ashore,
    We parted; and I never saw him more;
    Though, some while after, in another place,
    I heard he’d perished in a drunken brawl...

    And now the old man touched me, to recall
    My wandering thoughts; and breathed again the name
    And I looked up into the mother’s face
    That burned before me with grey eyes aflame.
    And so I told her how I’d met her son;
    And of the kindly things that he had done.
    And as I spoke her quivering spirit drank
    The news that it had thirsted for so long;
    And for a flashing moment gay and strong
    Life flamed in her old eyes, then slowly sank.
    "And he was happy when you saw him last?"
    She asked: and I was glad to answer, "Yes."
    Then all sat dreaming without stir or sound,
    As gradually she sank into the past,
    With eyes that looked beyond all happiness,
    Beyond all earthly trouble and distress,
    Into some other world than ours.  The thread
    That long had held the straining life earthbound
    Was loosed at last: her eyes grew dark: her head
    Drooped slowly on her breast; and she was dead.

    The old man at her side spoke not a word,
    As we arose, and bore her to the bed;
    And laid her on the clean, white quilt at rest
    With calm hands folded on her quiet breast.
    And, hour by hour, he hardly even stirred,
    Crouching beside me in the ingle-seat;
    And staring, staring at the still red glow:
    But, only when the fire was burning low,
    He rose to bring fresh peat;
    And muttered with dull voice and slow:
    "This fire has ne’er burned out through all these years--
    Not since the hearthstone first was set--
    And that is nigh two hundred year ago.
    My father’s father built this house; and I...
    I thought my son..." and then he gave a sigh;
    And as he stooped, his wizened cheek was wet
    With slowly-trickling tears.
    And now he hearkened, while an owl’s keen cry
    Sang through the silence, as it fluttered nigh
    The cottage-window, dazzled by the light,
    Then back, with fainter hootings, into night.

    But, when the fresh peats broke into a blaze,
    He watched it with a steady, dry-eyed gaze;
    And spoke once more: "And he, dead, too!
    You did not tell her; but I knew ... I knew!"

    And now came all the tale of their distress:
    Their only son, in wanton waywardness,
    Had left them, nearly thirty year ago;
    And they had never had a word from him
    In all that time... the reckless blow
    Of his unkindness struck his mother low...
    Her hair, as ruddy as the fern
    In late September by a moorland burn,
    Had shrivelled rimy-white
    In one short summer’s night:
    And they had looked, and looked for his return...
    His mother set for him at every meal,
    And kept his bed well-aired ... the knife and fork
    I’d used were John’s ... but, as all hope grew dim,
    She sickened, dwindling feebler every day:
    Though, when it seemed that she must pass away,
    She grew more confident that, ere she passed,
    A stranger would bring news to her, at last,
    Of her lost son.  "And when I woke in bed
    Beside her, as the dawn was burning red,
    She turned to me, with sleepless eyes, and said:
    ’The news will come, to-day.’"

    He spoke no more: and silent in my seat,
    With burning eyes upon the burning peat,
    I pondered on this strangest of strange things
    That had befallen in my vagrant life:
    And how, at last, my idle wanderings
    Had brought me to this old man and his wife.
    And as I brooded o’er the blaze,
    I thought with awe of that steadfast desire
    Which, unto me unknown,
    Had drawn me through long years, by such strange ways,
    From that dark fo’c’sle to this cottage-fire.

    And now, at last, quite spent, I dropped asleep:
    And slumbered long and deep:
    And when I waked, the peats were smouldering white
    Upon the white hearthstone:
    And over heath and bent dawn kindled bright
    Beyond dark ridges in a rosy fleece:
    While from the little window morning light
    Fell on her face, made holy with the peace
    That passeth understanding; and was shed
    In tender beams upon the low-bowed head
    Of that old man, forlorn beside the bed.




                                THE SHOP

    Tin-tinkle-tinkle-tinkle, went the bell,
    As I pushed in; and, once again, the smell
    Of groceries, and news-sheets freshly-printed,
    That always greeted me when I looked in
    To buy my evening-paper: but, to-night,
    I wondered not to see the well-known face,
    With kind, brown eyes, and ever-friendly smile,
    Behind the counter; and to find the place
    Deserted at this hour, and not a light
    In either window.  Waiting there, a while,
    Though wondering at what change these changes hinted,
    I yet was grateful for the quiet gloom--
    Lit only by a gleam from the back-room,
    And, here and there, a glint of glass and tin--
    So pleasant, after all the flare and din
    And hubbub of the foundry: and my eyes,
    Still tingling from the smoke, were glad to rest
    Upon the ordered shelves, so neatly dressed
    That, even in the dusk, they seemed to tell
    No little of the hand that kept them clean,
    And of the head that sorted things so well
    That naught of waste or worry could be seen,
    And kept all sweet with ever-fresh supplies.

    And, as I thought upon her quiet way,
    Wondering what could have got her, that she’d left
    The shop, unlit, untended, and bereft
    Of her kind presence, overhead I heard
    A tiptoe creak, as though somebody stirred,
    With careful step, across the upper floor:
    Then all was silent, till the back-room door
    Swung open; and her husband hurried in.
    He feared he’d kept me, waiting in the dark;
    And he was sorry: but his wife who served
    The customers at night-time usually--
    While he made up the ledger after tea,
    Was busy, when I ... Well, to tell the truth,
    They were in trouble, for their little son
    Had come in ill from school ... the doctor said
    Pneumonia ... they’d been putting him to bed:
    Perhaps, I’d heard them, moving overhead,
    For boards would creak, and creak, for all your care.
    They hoped the best; for he was young; and youth
    Could come through much; and all that could be done
    Would be ... then he stood, listening, quite unnerved,
    As though he heard a footstep on the stair,
    Though I heard nothing: but at my remark
    About the fog and sleet, he turned,
    And answered quickly, as there burned
    In his brown eyes an eager flame:
    The raw and damp were much to blame:
    If but his son might breathe West-country air!
    A certain Cornish village he could name
    Was just the place; if they could send him there,
    And only for a week, he’d come back stronger...
    And then, again, he listened: and I took
    My paper, and went, afraid to keep him longer;
    And left him standing with that haggard look.

    Next night, as I pushed in, there was no tinkle:
    And, glancing up, I saw the bell was gone;
    Although, in either window, the gas shone;
    And I was greeted by a cheery twinkle
    Of burnished tins and bottles from the shelves:
    And now, I saw the father busy there
    Behind the counter, cutting with a string
    A bar of soap up for a customer,
    With weary eyes, and jerky, harassed air,
    As if his mind were hardly on the task:
    And when ’twas done, and parcelled up for her,
    And she had gone; he turned to me, and said:
    He thought that folks might cut their soap themselves.
    ’Twas nothing much ... but any little thing,
    At such a time ... And, having little doubt
    The boy was worse, I did not like to ask;
    So picked my paper up, and hurried out.

    And, all next day, amid the glare and clang
    And clatter of the workshop, his words rang;
    And kept on ringing, in my head a-ring;
    But any little thing ... at such a time...
    And kept on chiming to the anvils’ chime:
    But any little thing ... at such a time...
    And they were hissed and sputtered in the sizzle
    Of water on hot iron: little thing...
    At such a time: and, when I left, at last,
    The smoke and steam; and walked through the cold drizzle,
    The lumbering of the ’buses as they passed
    Seemed full of it; and to the passing feet,
    The words kept patter, patter, with dull beat.

    I almost feared to turn into their street,
    Lest I should find the blinds down in the shop:
    And, more than once, I’d half-a-mind to stop,
    And buy my paper from the yelling boys,
    Who darted all about with such a noise
    That I half-wondered, in a foolish way,
    How they could shriek so, knowing that the sound
    Must worry children, lying ill in bed...
    Then, thinking even they must earn their bread,
    As I earned mine, and scarce as noisily!
    I wandered on; and very soon I found
    I’d followed where my thoughts had been all day.
    And stood before the shop, relieved to see
    The gases burning, and no window-blind
    Of blank foreboding.  With an easier mind,
    I entered slowly; and was glad to find
    The father by the counter, ’waiting me,
    With paper ready and a cheery face.
    Yes! yes! the boy was better ... took the turn,
    Last night, just after I had left the place.
    He feared that he’d been short and cross last night.
    But, when a little child was suffering,
    It worried you ... and any little thing,
    At such a moment, made you cut up rough:
    Though, now that he was going on all right...
    Well, he’d have patience, now, to be polite!
    And, soon as ever he was well enough,
    The boy should go to Cornwall for a change--
    Should go to his own home; for he, himself,
    Was Cornish, born and bred, his wife as well:
    And still his parents lived in the old place--
    A little place, as snug as snug could be...
    Where apple-blossom dipped into the sea...
    Perhaps, to strangers’ ears, that sounded strange--
    But not to any Cornishman who knew
    How sea and land ran up into each other;
    And how, all round each wide, blue estuary,
    The flowers were blooming to the waters’ edge:
    You’d come on blue-bells like a sea of blue...
    But they would not be out for some while yet...
    ’Twould be primroses, blowing everywhere,
    Primroses, and primroses, and primroses...
    You’d never half-know what primroses were,
    Unless you’d seen them growing in the West;
    But, having seen, would never more forget.
    Why, every bank, and every lane and hedge
    Was just one blaze of yellow; and the smell,
    When the sun shone upon them, after wet...
    And his eyes sparkled, as he turned to sell
    A penny loaf and half-an-ounce of tea
    To a poor child, who waited patiently,
    With hacking cough that tore her hollow chest:
    And, as she went out, clutching tight the change,
    He muttered to himself: It’s strange, it’s strange
    That little ones should suffer so....  The light
    Had left his eyes: but, when he turned to me,
    I saw a flame leap in them, hot and bright.
    I’d like to take them all, he said, to-night!

    And, in the workshop, all through the next day,
    The anvils had another tune to play...
    Primroses, and primroses, and primroses:
    The bellows puffing out: It’s strange, it’s strange
    That little ones should suffer so...
    And now, my hammer, at a blow:
    I’d like to take them all, to-night!
    And, in the clouds of steam, and white-hot glow,
    I seemed to see primroses everywhere,
    Primroses, and primroses, and primroses.

    And, each night after that, I heard the boy
    Was mending quickly; and would soon be well:
    Till one night I was startled by the bell:
    Tin-tinkle-tinkle-tinkle, loud and clear;
    And tried to hush it, lest the lad should hear.
    But, when the father saw me clutch the thing,
    He said, the boy had missed it yesterday;
    And wondered why he could not hear it ring;
    And wanted it; and had to have his way.
    And then, with brown eyes burning with deep joy,
    He told me, that his son was going West--
    Was going home ... the doctor thought, next week,
    He’d be quite well enough: the way was long;
    But trains were quick; and he would soon be there
    And on the journey he’d have every care,
    His mother being with him ... it was best,
    That she should go: for he would find it strange,
    The little chap, at first ... she needed change...
    And, when they’d had a whiff of Western air!
    ’Twould cost a deal; and there was naught to spare
    But, what was money, if you hadn’t health:
    And, what more could you buy, if you’d the wealth...
    Yes! ’twould be lonely for himself, and rough;
    Though, on the whole, he’d manage well enough:
    He’d have a lot to do: and there was naught
    Like work to keep folk cheerful: when the hand
    Was busy, you had little time for thought;
    And thinking was the mischief ... and ’twas grand
    To know that they’d be happy.  Then the bell
    Went tinkle-tinkle; and he turned to sell.

    One night he greeted me with face that shone,
    Although the eyes were wistful; they were gone--
    Had gone this morning, he was glad to say:
    And, though ’twas sore work, setting them away,
    Still, ’twas the best for them ... and they would be
    Already in the cottage by the sea...
    He spoke no more of them; but turned his head;
    And said he wondered if the price of bread...
    And, as I went again into the night,
    I saw his eyes were glistening in the light.

    And, two nights after that, he’d got a letter:
    And all was well: the boy was keeping better;
    And was as happy as a child could be,
    All day with the primroses and the sea,
    And pigs!  Of all the wonders of the West,
    His mother wrote, he liked the pigs the best.
    And now the father laughed until the tears
    Were in his eyes, and chuckled: Aye! he knew!
    Had he not been a boy there once, himself?
    He’d liked pigs, too, when he was his son’s years.
    And then, he reached a half-loaf from the shelf;
    And twisted up a farthing’s worth of tea,
    And farthing’s worth of sugar, for the child,
    The same poor child who waited patiently,
    Still shaken by a hacking, racking cough.

    And, all next day, the anvils rang with jigs:
    The bellows roared and rumbled with loud laughter,
    Until it seemed the workshop had gone wild,
    And it would echo, echo, ever after
    The tune the hammers tinkled on and off,
    A silly tune of primroses and pigs...
    Of all the wonders of the West
    He liked the pigs, he liked the pigs the best!

    Next night, as I went in, I caught
    A strange, fresh smell.  The postman had just brought
    A precious box from Cornwall, and the shop
    Was lit with primroses, that lay atop
    A Cornish pasty, and a pot of cream:
    And, as, with gentle hands, the father lifted
    The flowers his little son had plucked for him,
    He stood a moment in a far-off dream,
    As though in glad remembrances he drifted
    On Western seas: and, as his eyes grew dim,
    He stooped, and buried them in deep, sweet bloom
    Till, hearing, once again, the poor child’s cough,
    He served her hurriedly, and sent her off,
    Quite happily, with thin hands filled with flowers.
    And, as I followed to the street, the gloom
    Was starred with primroses; and many hours
    The strange, shy flickering surprise
    Of that child’s keen, enchanted eyes
    Lit up my heart, and brightened my dull room.

    Then, many nights the foundry kept me late
    With overtime; and I was much too tired
    To go round by the shop; but made for bed
    As straight as I could go: until one night
    We’d left off earlier, though ’twas after eight,
    I thought I’d like some news about the boy.
    I found the shop untended; and the bell
    Tin-tinkle-tinkle-tinkled all in vain.
    And then I saw, through the half-curtained pane,
    The back-room was a very blaze of joy:
    And knew the mother and son had come safe back.
    And, as I slipped away, now all was well,
    I heard the boy shriek out, in shrill delight:
    "And, father, all the little pigs were black!"




                              FLANNAN ISLE

    "Though three men dwell on Flannan Isle
    To keep the lamp alight,
    As we steered under the lee, we caught
    No glimmer through the night."

    A passing ship at dawn had brought
    The news; and quickly we set sail,
    To find out what strange thing might ail
    The keepers of the deep-sea light.

    The Winter day broke blue and bright,
    With glancing sun and glancing spray,
    As o’er the swell our boat made way,
    As gallant as a gull in flight.

    But, as we neared the lonely Isle;
    And looked up at the naked height;
    And saw the lighthouse towering white,
    With blinded lantern, that all night
    Had never shot a spark
    Of comfort through the dark,
    So ghostly in the cold sunlight
    It seemed, that we were struck the while
    With wonder all too dread for words.

    And, as into the tiny creek
    We stole beneath the hanging crag,
    We saw three queer, black, ugly birds--
    Too big, by far, in my belief,
    For guillemot or shag--
    Like seamen sitting bolt-upright
    Upon a half-tide reef:
    But, as we neared, they plunged from sight,
    Without a sound, or spurt of white.

    And still too mazed to speak,
    We landed; and made fast the boat;
    And climbed the track in single file,
    Each wishing he was safe afloat,
    On any sea, however far,
    So it be far from Flannan Isle:
    And still we seemed to climb, and climb,
    As though we’d lost all count of time,
    And so must climb for evermore.
    Yet, all too soon, we reached the door--
    The black, sun-blistered lighthouse-door,
    That gaped for us ajar.

    As, on the threshold, for a spell,
    We paused, we seemed to breathe the smell
    Of limewash and of tar,
    Familiar as our daily breath,
    As though ’twere some strange scent of death
    And so, yet wondering, side by side,
    We stood a moment, still tongue-tied:
    And each with black foreboding eyed
    The door, ere we should fling it wide,
    To leave the sunlight for the gloom:
    Till, plucking courage up, at last,
    Hard on each other’s heels we passed,
    Into the living-room.

    Yet, as we crowded through the door,
    We only saw a table, spread
    For dinner, meat and cheese and bread;
    But, all untouched; and no one there:
    As though, when they sat down to eat,
    Ere they could even taste,
    Alarm had come; and they in haste
    Had risen and left the bread and meat:
    For at the table-head a chair
    Lay tumbled on the floor.

    We listened; but we only heard
    The feeble cheeping of a bird
    That starved upon its perch:
    And, listening still, without a word,
    We set about our hopeless search.

    We hunted high, we hunted low;
    And soon ransacked the empty house;
    Then o’er the Island, to and fro,
    We ranged, to listen and to look
    In every cranny, cleft or nook
    That might have hid a bird or mouse:
    But, though we searched from shore to shore,
    We found no sign in any place:
    And soon again stood face to face
    Before the gaping door:
    And stole into the room once more
    As frightened children steal.

    Aye: though we hunted high and low,
    And hunted everywhere,
    Of the three men’s fate we found no trace
    Of any kind in any place,
    But a door ajar, and an untouched meal,
    And an overtoppled chair.

    And, as we listened in the gloom
    Of that forsaken living-room---
    A chill clutch on our breath--
    We thought how ill-chance came to all
    Who kept the Flannan Light:
    And how the rock had been the death
    Of many a likely lad:
    How six had come to a sudden end,
    And three had gone stark mad:
    And one whom we’d all known as friend
    Had leapt from the lantern one still night,
    And fallen dead by the lighthouse wall:
    And long we thought
    On the three we sought,
    And of what might yet befall.

    Like curs, a glance has brought to heel,
    We listened, flinching there:
    And looked, and looked, on the untouched meal,
    And the overtoppled chair.

    We seemed to stand for an endless while,
    Though still no word was said,
    Three men alive on Flannan Isle,
    Who thought, on three men dead.




                              THE BROTHERS

    All morning they had quarrelled, as they worked,
    A little off their fellows, in the pit:
    Dick growled at Robert; Robert said Dick shirked:
    And when the roof, dropt more than they had reckoned,
    Began to crack and split,
    Though both rushed like a shot to set
    The pit-props in their places,
    Each said the other was to blame,
    When, all secure, with flushed and grimy faces,
    They faced each other for a second.
    All morning they had quarrelled: yet,
    Neither had breathed her name.

    Again they turned to work:
    And in the dusty murk
    Of that black gallery
    Which ran out three miles underneath the sea,
    There was no sound at all,
    Save whispering creak of roof and wall.
    And crack of coal, and tap of pick,
    And now and then a rattling fall:
    While Robert worked on steadily, but Dick
    In fits and starts, with teeth clenched tight,
    And dark eyes flashing in his lamp’s dull light.

    And when he paused, nigh spent, to wipe the sweat
    From off his dripping brow: and Robert turned
    To fling some idle jibe at him, the spark
    Of anger, smouldering in him, flared and burned--
    Though all his body quivered, wringing-wet--
    Till that black hole
    To him blazed red,
    As if the very coal
    Had kindled underfoot and overhead:
    Then, gripping tight his pick,
    He rushed upon his brother:
    But Robert, turning quick,
    Leapt up, and now they faced each other.

    They faced each other: Dick with arm upraised,
    In act to strike, and murder in his eyes....
    When, suddenly, with noise of thunder,
    The earth shook round them, rumbling o’er and under;
    And Dick saw Robert, lying at his feet:
    As, close behind, the gallery crashed in:
    And almost at his heel, earth gaped asunder.
    By black disaster dazed,
    His wrath died; and he dropped the pick;
    And staggered, dizzily and terror-sick.
    But, when the dust and din
    Had settled to a stillness, dread as death:
    And he once more could draw his breath;
    He gave a little joyful shout
    To find the lamps had not gone out.

    And on his knees he fell
    Beside his brother, buried in black dust:
    And, full of tense misgiving,
    He lifted him, and thrust
    A knee beneath his head; and cleared
    The dust from mouth and nose: but could not tell
    Awhile if he were dead or living.
    Too fearful to know what he feared,
    He fumbled at the open shirt,
    And felt till he could feel the heart,
    Still beating with a feeble beat:
    And then he saw the closed lids part,
    And saw the nostrils quiver;
    And knew his brother lived, though sorely hurt.

    Again he staggered to his feet,
    And fetched his water-can, and wet
    The ashy lips, and bathed the brow,
    Until his brother sat up with a shiver,
    And gazed before him with a senseless stare
    And dull eyes strangely set.
    Too well Dick knew that now
    They must not linger there,
    Cut off from all their mates, to be o’ertaken
    In less than no time by the deadly damp,
    So, picking up his lamp,
    He made his brother rise;
    Then took him by the arm,
    And shook him, till he’d shaken
    An inkling of the danger and alarm
    Into those dull, still eyes:
    Then dragged him, and half-carried him, in haste,
    To reach the airway, where ’twould still be sweet
    When all the gallery was foul with gas:
    But, soon as they had reached it, they were faced
    By a big fall of roof they could not pass;
    And found themselves cut off from all retreat,
    On every hand, by that black shining wall;
    With naught to do but sit and wait
    Till rescue came, if rescue came at all,
    And did not come too late.

    And, in the fresher airway, light came back
    To Robert’s eyes, although he never spoke:
    And not a sound the deathly quiet broke,
    As they sat staring at that wall of black--
    As, in the glimmer of the dusky lamp,
    They sat and wondered, wondered if the damp--
    The stealthy after-damp that creeping, creeping,
    Takes strong lads by the throat, and drops them sleeping,
    To wake no more for any woman’s weeping--
    Would steal upon them, ere the rescue came....
    And if the rescuers would find them sitting,
    Would find them sitting cold....
    Then, as they sat and wondered, like a flame
    One thought burned up both hearts:
    Still, neither breathed her name.

    And now their thoughts dropped back into the pit,
    And through the league-long gallery went flitting
    With speed no fall could hold:
    They wondered how their mates had fared:
    If they’d been struck stone-dead,
    Or if they shared
    Like fate with them, or reached the shaft,
    Unhurt, and only scared,
    Before disaster overtook them:
    And then, although their courage ne’er forsook them,
    They wondered once again if they must sit
    Awaiting death ... but knowing well
    That even for a while to dwell
    On such like thoughts will drive a strong man daft:
    They shook themselves until their thoughts ran free
    Along the drift, and clambered in the cage;
    And in a trice were shooting up the shaft:
    But when their thoughts had come to the pithead,
    And found the fearful people gathered there,
    Beneath the noonday sun,
    Bright-eyed with terror, blinded by despair,
    Dick rose, and with his chalk wrote on the wall,
    This message for their folk:
    "We can’t get any further, 12, noonday"--
    And signed both names; and, when he’d done,
    Though neither of them spoke,
    They both seemed easier in a way,
    Now that they’d left a word,
    Though nothing but a scrawl.

    And silent still they sat,
    And never stirred:
    And Dick’s thoughts dwelt on this and that:
    How, far above their heads, upon the sea
    The sun was shining merrily,
    And in its golden glancing
    The windy waves were dancing:
    And how he’d slipt that morning on his way:
    And how on Friday, when he drew his pay,
    He’d buy a blanket for his whippet, Nell;
    He felt dead certain she would win the race,
    On Saturday ... though you could never tell,
    There were such odds against her ... but his face
    Lit up as though, even now, he saw her run,
    A little slip of lightning, in the sun:
    While Robert’s thoughts were ever on the match
    His team was booked to play on Saturday;
    He placed the field, and settled who should play
    The centre-forward; for he had a doubt
    Will Burn was scarcely up to form, although...

    Just then, the lamp went slowly out.

    Still, neither stirred,
    Nor spoke a word;
    Though either’s breath came quickly, with a catch.

    And now again one thought
    Set both their hearts afire
    In one fierce flame
    Of quick desire:
    Though neither breathed her name.

    Then Dick stretched out his hand; and caught
    His brother’s arm; and whispered in his ear:
    "Bob, lad, there’s naught to fear ...
    And, when we’re out, lad, you and she shall wed."

    Bob gripped Dick’s hand; and then no more was said,
    As, slowly, all about them rose
    The deadly after-damp; but close
    They sat together, hand in hand.
    Then their minds wandered; and Dick seemed to stand
    And shout till he was hoarse
    To speed his winning whippet down the course ...
    And Robert, with the ball
    Secure within his oxter charged ahead
    Straight for the goal, and none could hold,
    Though many tried a fall.

    Then dreaming they were lucky boys in bed,
    Once more, and lying snugly by each other:
    Dick, with his arms clasped tight about his brother,
    Whispered with failing breath
    Into the ear of death:
    "Come, Robert, cuddle closer, lad, it’s cold."




                            THE BLIND ROWER

    And since he rowed his father home,
    His hand has never touched an oar.
    All day, he wanders on the shore,
    And hearkens to the swishing foam.
    Though blind from birth, he still could row
    As well as any lad with sight;
    And knew strange things that none may know
    Save those who live without the light.

    When they put out that Summer eve
    To sink the lobster-pots at sea,
    The sun was crimson in the sky;
    And not a breath was in the sky,
    The brooding, thunder-laden sky,
    That, heavily and wearily,
    Weighed down upon the waveless sea
    That scarcely seemed to heave.

    The pots were safely sunk; and then
    The father gave the word for home:
    He took the tiller in his hand,
    And, in his heart already home,
    He brought her nose round towards the land,
    To steer her straight for home.

    He never spoke,
    Nor stirred again:
    A sudden stroke,
    And he lay dead,
    With staring eyes, and lips of lead.

    The son rowed on, and nothing feared:
    And sometimes, merrily,
    He lifted up his voice, and sang,
    Both high and low,
    And loud and sweet:
    For he was ever gay at sea,
    And ever glad to row,
    And rowed as only blind men row:
    And little did the blind lad know
    That death was at his feet:
    For still he thought his father steered;
    Nor knew that he was all alone
    With death upon the open sea.
    So merrily, he rowed, and sang;
    And, strangely on the silence rang
    That lonely melody,
    As, through the livid, brooding gloom,
    By rock and reef, he rowed for home--
    The blind man rowed the dead man home.

    But, as they neared the shore,
    He rested on his oar:
    And, wondering that his father kept
    So very quiet in the stern;
    He laughed, and asked him if he slept;
    And vowed he heard him snore just now.
    Though, when his father spoke no word,
    A sudden fear upon him came:
    And, crying on his father’s name,
    With flinching heart, he heard
    The water lapping on the shore;
    And all his blood ran cold, to feel
    The shingle grate beneath the keel:
    And stretching over towards the stern,
    His knuckle touched the dead man’s brow.

    But, help was near at hand;
    And safe he came to land:
    Though none has ever known
    How he rowed in, alone,
    And never touched a reef.
    Some say they saw the dead man steer--
    The dead man steer the blind man home--
    Though, when they found him dead,
    His hand was cold as lead.

    So, ever restless, to and fro,
    In every sort of weather,
    The blind lad wanders on the shore,
    And hearkens to the foam.
    His hand has never touched an oar,
    Since they came home together--
    The blind, who rowed his father home--
    The dead, who steered his blind son home.




                               THE FLUTE

    "Good-night!" he sang out cheerily:
    "Good-night!" and yet again: "Good-night!"

    And I was gay that night to be
    Once more in my clean countryside,
    Among the windy hills and wide.
    Six days of city slush and mud,
    Of hooting horn, and spattering wheel,
    Made me rejoice again to feel
    The tingling frost that fires the blood,
    And sets life burning keen and bright;
    And down the ringing road to stride
    The eager swinging stride that braces
    The straining thews from hip to heel:
    To breathe again the wind that sweeps
    Across the grassy, Northern steeps,
    From crystal deeps and starry spaces.

    And I was glad again to hear
    The old man’s greeting of good cheer:
    For every night for many a year
    At that same corner we had met,
    Summer and Winter, dry and wet:
    And though I never once had heard
    The old man speak another word,
    His cheery greeting at the bend
    Seemed like the welcome of a friend.

    But, as we neared to-night, somehow,
    I felt that he would stop and speak:
    Though he went by: and when I turned,
    I saw him standing in the road,
    And looking back, with hand to brow,
    As if to shade old eyes, grown weak
    Awaiting the long sleep they’d earned:
    Though, as again towards him I strode,
    A friendly light within them burned.
    And then, as I drew nigh, he spoke
    With shaking head, and voice that broke:
    "I’ve missed you these last nights," he said
    "And I have not so many now
    That I can miss friends easily...
    Aye: friends grow scarce, as you grow old:
    And roads are rough: and winds are cold:
    And when you feel you’re losing hold,
    Life does not go too merrily."
    And then he stood with nodding head,
    And spoke no more.  And so I told
    How I had been, six days and nights,
    Exiled from pleasant sounds and sights.
    And now, as though my voice had stirred
    His heart to speech, he told right out,
    With quickening eye and quavering word,
    The things I care to hear about,
    The little things that make up life:
    How he’d been lonesome, since his wife
    Had died, some thirty year ago:
    And how he trudged three mile or so
    To reach the farmstead where he worked,
    And three mile back to his own door...
    For he dwelt outby on the moor:
    And every day the distance irked
    More sorely still his poor, old bones;
    And all the road seemed strewn with stones
    To trip you up, when you were old--
    When you were old, and friends were few:
    How, since the farmstead had been sold,
    The master and the men were new,
    All save himself; and they were young;
    And Mistress had a raspy tongue:
    So, often, he would hardly speak
    A friendly word from week to week
    With any soul.  Old friends had died,
    Or else had quit the countryside:
    And, since his wife was taken, he
    Had lived alone, this thirty year:
    And there were few who cared to hear
    An old man’s jabber ... and too long
    He’d kept me, standing in the cold,
    With his long tongue, and such a song
    About himself!  And I would be...

    I put my arm through his; and turned
    To go upon his way with him:
    And once again that warm light burned
    In those old eyes, so weak and dim:
    While, with thin, piping voice, he told
    How much it meant to him each night
    To change a kindly word with me:
    To think that he’d at least one friend
    Who’d maybe miss him, in the end.

    Then, as we walked, he said no more:
    And, silent, in the starry light,
    Across the wide, sweet-smelling bent,
    Between the grass and stars we went
    In quiet, friendly company:
    And, all the way, we only heard
    A chirrup where some partridge stirred,
    And ran before us through the grass,
    To hide his head till we should pass.

    At length, we reached the cottage-door:
    But, when I stopped, and turned to go,
    His words came falteringly and slow:
    If I would step inside, and rest,
    I’d be right welcome: not a guest
    Had crossed his threshold, thirty year...
    He’d naught but bread and cheese and beer
    To offer me ... but, I’d know best...

    He spoke with hand upon the latch;
    And, when I answered, opened wide
    The cottage-door; and stepped inside;
    And, as I followed, struck a match,
    And lit a tallow-dip: and stirred
    The banked-up peats into a glow:
    And then with shuffling step and slow
    He moved about: and soon had set
    Two mugs of beer, and bread and cheese:
    And while we made a meal off these,
    The old man never spoke a word;
    But, brooding in the ingle-seat,
    With eyes upon the kindling peat,
    He seemed awhile to quite forget
    He was not sitting by himself
    To-night, like any other night;
    When, as, in the dim candle-light,
    I glanced around me, with surprise
    I saw, upon the rafter-shelf,
    A flute, nigh hidden in the shade.

    And when I asked him if he played,
    The light came back into his eyes:
    Aye, aye, he sometimes piped a bit,
    But not so often since she died.
    And then, as though old memories lit
    His poor, old heart, and made it glad,
    He told how he, when quite a lad,
    Had taught himself: and they would play
    On penny whistles all the day--
    He and the miller’s son, beside
    The millpool, chirping all they knew,
    Till they could whistle clean and true:
    And how, when old enough to earn,
    They both saved up to buy a flute;
    And they had played it, turn for turn:
    But, Jake was dead, this long while back...
    Ah! if I’d only heard him toot,
    I’d know what music meant.  Aye, aye...
    He’d play me something, by-and-bye;
    Though he was naught to Jake ... and now
    His breath was scant, and fingering slack...
    He used to play to her at night
    The melodies that she liked best,
    While she worked on: she’d never rest
    By daylight, or by candle-light...
    And then, with hand upon his brow,
    He brooded, quiet in his chair,
    With eyes upon the red peat-glare;
    Until, at length, he roused himself,
    And reached the flute down from the shelf;
    And, carrying it outside the door,
    I saw him take a can, and pour
    Fresh water through the instrument,
    To make it sweet of tone, he said.
    Then, in his seat, so old and bent,
    With kindling eyes, and swaying head,
    He played the airs he used to play
    To please his wife, before she died:
    And as I watched his body sway
    In time and tune, from side to side,
    So happy, playing, and to please
    With old familiar melodies,
    His eyes grew brighter and more bright,
    As though they saw some well-loved sight:
    And, following his happy gaze,
    I turned, and saw, without amaze,
    A woman standing, young and fair,
    With hazel eyes, and thick brown hair
    Brushed smoothly backward from the brow,
    Beside the table that but now,
    Save for the empty mugs, was bare.
    Upon it she had spread a sheet:
    And stood there, ironing a shirt,
    Her husband’s, as he played to her
    Her favourite tunes, so old and sweet.
    I watched her move with soundless stir;
    Then stand with listening eyes, and hold
    The iron near her glowing cheek,
    Lest it, too hot, should do some hurt,
    And she, so careful not to burn
    The well-darned shirt, so worn and old.
    Then, something seemed to make me turn
    To look on the old man again:
    And, as I looked, the playing stopped;
    And now I saw that he had dropped
    Into his brooding mood once more,
    With eyes again grown dull and weak.
    He seemed the oldest of old men
    Who grope through life with sight worn dim
    And, even as I looked at him,
    Too full of tender awe to speak,
    I knew once more the board was bare,
    With no young woman standing there
    With hazel eyes and thick, brown hair;
    And I, in vain, for her should seek,
    If I but sought this side death’s door.

    And so, at last, I rose, and took
    His hand: and as he clasped mine tight,
    I saw again that friendly look
    Fill his old weary eyes with light,
    And wish me, without words, good-night
    And in my heart, that look glowed bright
    Till I reached home across the moor.

    And, at the corner of the lane,
    Next night, I heard the old voice cry
    In greeting, as I struggled by,
    Head-down against the wind and rain.
    And so each night, until one day,
    His master chanced across my way:
    But, when I spoke of him, he said:
    Did I not know the man was dead,
    And had been dead a week or so?
    One morn he’d not turned up to work;
    And never having known him shirk;
    And hearing that he lived alone;
    He thought it best himself to go
    And see what ailed: and coming there,
    He found the old man in his chair,
    Stone-dead beside the cold hearthstone.
    It must be full a week, or more...
    Aye, just two weeks, come Saturday,
    He’d found him; but he must have died
    O’ernight--(the night I heard him play!)
    And they had found, dropt by his side,
    A broken flute upon the floor.

    Yet, every night, his greeting still
    At that same corner of the hill,
    Summer and Winter, wet or dry,
    ’Neath cloud, or moon, or cold starlight,
    Is waiting there to welcome me:
    And ever as I hurry by,
    The old voice sings out cheerily:
    "Good-night!" and yet again, "Good-night!"

    1910-1911.




          LONDON: PRINTED BY WILLIAM CLOWES AND SONS, LIMITED.
   DUKE STREET, STAMFORD STREET, S.E., AND GREAT WINDMILL STREET, W.






*** END OF THIS PROJECT GUTENBERG EBOOK FIRES - BOOK I ***




A Word from Project Gutenberg


We will update this book if we find any errors.

This book can be found under: http://www.gutenberg.org/ebooks/42677

Creating the works from public domain print editions means that no one
owns a United States copyright in these works, so the Foundation (and
you!) can copy and distribute it in the United States without permission
and without paying copyright royalties.  Special rules, set forth in the
General Terms of Use part of this license, apply to copying and
distributing Project Gutenberg™ electronic works to protect the Project
Gutenberg™ concept and trademark. Project Gutenberg is a registered
trademark, and may not be used if you charge for the eBooks, unless you
receive specific permission. If you do not charge anything for copies of
this eBook, complying with the rules is very easy. You may use this
eBook for nearly any purpose such as creation of derivative works,
reports, performances and research. They may be modified and printed and
given away – you may do practically _anything_ with public domain
eBooks.  Redistribution is subject to the trademark license, especially
commercial redistribution.



The Full Project Gutenberg License


_Please read this before you distribute or use this work._

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work (or
any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full Project
Gutenberg™ License available with this file or online at
http://www.gutenberg.org/license.


Section 1. General Terms of Use & Redistributing Project Gutenberg™
electronic works


*1.A.* By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all the
terms of this agreement, you must cease using and return or destroy all
copies of Project Gutenberg™ electronic works in your possession. If you
paid a fee for obtaining a copy of or access to a Project Gutenberg™
electronic work and you do not agree to be bound by the terms of this
agreement, you may obtain a refund from the person or entity to whom you
paid the fee as set forth in paragraph 1.E.8.

*1.B.* “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few things
that you can do with most Project Gutenberg™ electronic works even
without complying with the full terms of this agreement. See paragraph
1.C below. There are a lot of things you can do with Project Gutenberg™
electronic works if you follow the terms of this agreement and help
preserve free future access to Project Gutenberg™ electronic works. See
paragraph 1.E below.

*1.C.* The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection of
Project Gutenberg™ electronic works. Nearly all the individual works in
the collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you
from copying, distributing, performing, displaying or creating
derivative works based on the work as long as all references to Project
Gutenberg are removed. Of course, we hope that you will support the
Project Gutenberg™ mission of promoting free access to electronic works
by freely sharing Project Gutenberg™ works in compliance with the terms
of this agreement for keeping the Project Gutenberg™ name associated
with the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg™ License when you share it without charge with others.


*1.D.* The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg™ work.  The Foundation makes no representations concerning the
copyright status of any work in any country outside the United States.

*1.E.* Unless you have removed all references to Project Gutenberg:

*1.E.1.* The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work on
which the phrase “Project Gutenberg” appears, or with which the phrase
“Project Gutenberg” is associated) is accessed, displayed, performed,
viewed, copied or distributed:

    This eBook is for the use of anyone anywhere at no cost and with
    almost no restrictions whatsoever. You may copy it, give it away
    or re-use it under the terms of the Project Gutenberg License
    included with this eBook or online at http://www.gutenberg.org

*1.E.2.* If an individual Project Gutenberg™ electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work with
the phrase “Project Gutenberg” associated with or appearing on the work,
you must comply either with the requirements of paragraphs 1.E.1 through
1.E.7 or obtain permission for the use of the work and the Project
Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

*1.E.3.* If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg™ License for all works posted with the
permission of the copyright holder found at the beginning of this work.

*1.E.4.* Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.

*1.E.5.* Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.

*1.E.6.* You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg™ work in a format other than
“Plain Vanilla ASCII” or other format used in the official version
posted on the official Project Gutenberg™ web site
(http://www.gutenberg.org), you must, at no additional cost, fee or
expense to the user, provide a copy, a means of exporting a copy, or a
means of obtaining a copy upon request, of the work in its original
“Plain Vanilla ASCII” or other form. Any alternate format must include
the full Project Gutenberg™ License as specified in paragraph 1.E.1.

*1.E.7.* Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works unless
you comply with paragraph 1.E.8 or 1.E.9.

*1.E.8.* You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works provided
that

  - You pay a royalty fee of 20% of the gross profits you derive from
    the use of Project Gutenberg™ works calculated using the method you
    already use to calculate your applicable taxes. The fee is owed to
    the owner of the Project Gutenberg™ trademark, but he has agreed to
    donate royalties under this paragraph to the Project Gutenberg
    Literary Archive Foundation. Royalty payments must be paid within 60
    days following each date on which you prepare (or are legally
    required to prepare) your periodic tax returns. Royalty payments
    should be clearly marked as such and sent to the Project Gutenberg
    Literary Archive Foundation at the address specified in Section 4,
    “Information about donations to the Project Gutenberg Literary
    Archive Foundation.”

  - You provide a full refund of any money paid by a user who notifies
    you in writing (or by e-mail) within 30 days of receipt that s/he
    does not agree to the terms of the full Project Gutenberg™ License.
    You must require such a user to return or destroy all copies of the
    works possessed in a physical medium and discontinue all use of and
    all access to other copies of Project Gutenberg™ works.

  - You provide, in accordance with paragraph 1.F.3, a full refund of
    any money paid for a work or a replacement copy, if a defect in the
    electronic work is discovered and reported to you within 90 days of
    receipt of the work.

  - You comply with all other terms of this agreement for free
    distribution of Project Gutenberg™ works.


*1.E.9.* If you wish to charge a fee or distribute a Project Gutenberg™
electronic work or group of works on different terms than are set forth
in this agreement, you must obtain permission in writing from both the
Project Gutenberg Literary Archive Foundation and Michael Hart, the
owner of the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3. below.

*1.F.*

*1.F.1.* Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg™ collection.
Despite these efforts, Project Gutenberg™ electronic works, and the
medium on which they may be stored, may contain “Defects,” such as, but
not limited to, incomplete, inaccurate or corrupt data, transcription
errors, a copyright or other intellectual property infringement, a
defective or damaged disk or other medium, a computer virus, or computer
codes that damage or cannot be read by your equipment.

*1.F.2.* LIMITED WARRANTY, DISCLAIMER OF DAMAGES – Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all liability
to you for damages, costs and expenses, including legal fees. YOU AGREE
THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF
WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3.
YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR
UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT,
INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE
NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

*1.F.3.* LIMITED RIGHT OF REPLACEMENT OR REFUND – If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

*1.F.4.* Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS,’ WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

*1.F.5.* Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

*1.F.6.* INDEMNITY – You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg™ electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg™
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg™ work, and (c) any Defect you cause.


Section 2. Information about the Mission of Project Gutenberg™


Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg™’s goals
and ensuring that the Project Gutenberg™ collection will remain freely
available for generations to come. In 2001, the Project Gutenberg
Literary Archive Foundation was created to provide a secure and
permanent future for Project Gutenberg™ and future generations. To learn
more about the Project Gutenberg Literary Archive Foundation and how
your efforts and donations can help, see Sections 3 and 4 and the
Foundation web page at http://www.pglaf.org .


Section 3. Information about the Project Gutenberg Literary Archive
Foundation


The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the state
of Mississippi and granted tax exempt status by the Internal Revenue
Service. The Foundation’s EIN or federal tax identification number is
64-6221541. Its 501(c)(3) letter is posted at
http://www.gutenberg.org/fundraising/pglaf . Contributions to the
Project Gutenberg Literary Archive Foundation are tax deductible to the
full extent permitted by U.S.  federal laws and your state’s laws.

The Foundation’s principal office is located at 4557 Melan Dr.
S. Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at 809
North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org. Email contact links and up to date contact
information can be found at the Foundation’s web site and official page
at http://www.pglaf.org

For additional contact information:

    Dr. Gregory B. Newby
    Chief Executive and Director
    gbnewby@pglaf.org


Section 4. Information about Donations to the Project Gutenberg Literary
Archive Foundation


Project Gutenberg™ depends upon and cannot survive without wide spread
public support and donations to carry out its mission of increasing the
number of public domain and licensed works that can be freely
distributed in machine readable form accessible by the widest array of
equipment including outdated equipment. Many small donations ($1 to
$5,000) are particularly important to maintaining tax exempt status with
the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations where
we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit http://www.gutenberg.org/fundraising/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any
statements concerning tax treatment of donations received from outside
the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other ways
including checks, online payments and credit card donations. To donate,
please visit: http://www.gutenberg.org/fundraising/donate


Section 5. General Information About Project Gutenberg™ electronic
works.


Professor Michael S. Hart is the originator of the Project Gutenberg™
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S. unless
a copyright notice is included. Thus, we do not necessarily keep eBooks
in compliance with any particular paper edition.

Each eBook is in a subdirectory of the same number as the eBook’s eBook
number, often in several formats including plain vanilla ASCII,
compressed (zipped), HTML and others.

Corrected _editions_ of our eBooks replace the old file and take over
the old filename and etext number. The replaced older file is renamed.
_Versions_ based on separate sources are treated as new eBooks receiving
new filenames and etext numbers.

Most people start at our Web site which has the main PG search facility:

    http://www.gutenberg.org

This Web site includes information about Project Gutenberg™, including
how to make donations to the Project Gutenberg Literary Archive
Foundation, how to help produce our new eBooks, and how to subscribe to
our email newsletter to hear about new eBooks.